Latest · Analog

North Cascades Perspective

Mamiya 7 · Kentmere PAN 200

Chasing larches up the North Cascades Highway with a late start and a Mamiya 7 — Diablo Lake from the vista, the granite spires of Washington Pass, and a day that slipped away before Harts Pass.

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Analog Additions

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North Cascades Perspective

Chasing larches up the North Cascades Highway with a late start and a Mamiya 7 — Diablo Lake from the vista, the granite spires of Washington Pass, and a day that slipped away before Harts Pass.

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An Hour at the MIA

Kentmere 200 shot at EI 100 by accident — a mismetered hour through the Minneapolis Institute of Art and an afternoon in New Prague, Minnesota, pulled back a stop in Xtol and printed in clean whites and heavy blacks.

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From Little Si — Mamiya 6

Twelve square frames of Ilford Delta 400 in T-Max from the summit of Little Si, looking across the saddle at Big Si. Same vantage, twelve different mountains — flank in light, face under fog, ridge resolving into summit.

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Exit 38

Sixteen square frames of Ilford Delta 400 in T-Max along the I-90 corridor — trestles, crags, and Cascade cloudbanks through the Mamiya 6 MF. Climbers thread vertical lines up granite faces while the Iron Horse trestles span the ravines below. Overcast and overgrown, the Pacific Northwest does its work without spectacle — rust on rivets, ferns on basalt, ropes on rock.

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Saint John's Abbey

Voigtländer 28mm Ultron + Fujifilm Neopan Acros II 100 in Xtol — Marcel Breuer's brutalist masterpiece, Collegeville, Minnesota.

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StreetMeetWA - Pier 62

A StreetMeetWA gathering of models and photographers at Seattle's Pier 62 — Leica MP, Delta 400 + Ultrafine UXF 400 in Xtol 1:1.

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Digital Musings

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